Audient ORIA vs RME Fireface UFX III

Both are audio interfaces, $3500 against $3199. This page puts them side by side on the only three things a maker can be held to — power, output impedance and noise — and then asks the question that actually matters: which headphones do they treat differently?

The Audient ORIA reaches 100 dB on 566 of the 567 models here, the RME Fireface UFX III on 564.

A figure marked not published is missing from the maker’s own material, which is not the same as being good or bad. Where one of these two publishes a number and the other does not, the comparison on that axis cannot be made at all — and saying so is more useful than guessing.

Both makers publish a power rating, which is less common than the table above makes it look: of the 280 sources here, 209 publish a figure at at least one load and only 2 publish one at all four. Audient ORIA publishes at 600 Ω; RME Fireface UFX III at 32 Ω. Every other row is worked out from those — between two published loads, or beyond them holding voltage constant, which understates rather than flatters.

So the two columns are not equally firm row by row: at 600 Ω only the Audient ORIA figure is the maker’s own and at 32 Ω only the RME Fireface UFX III figure is the maker’s own. On those rows the derived number is the one to doubt first.

What each of these labels means, and why a derived figure is still worth printing, is set out in how this data was built.

2 headphones reach 100 dB on the Audient ORIA but not on the RME Fireface UFX III — Moondrop PARA, Symphonium Crimson.

472 headphones are left alone by the RME Fireface UFX III under the one-eighth rule but coloured by the Audient ORIA (64 Audio Solo, 7Hz Legato, 7Hz Salnotes Zero, 469 more).

564 of the 567 models here reach 100 dB on both. That is a power count and nothing more; whether either source suits a given headphone also depends on the two lines above.

The counts above say how many models the two treat differently. This says by how much. The same 8 headphones appear on every page of this kind, ordered from the easiest to drive to the hardest, so a row can be read across pages as well as across columns. Headroom is at a 100 dB SPL peak.

The widest gap on the list is the Audio-Technica ATH-R70X: Audient ORIA has +20 dB of headroom there against +9 dB. 10 dB is about 11 times the power, which matters for peaks rather than for how loud the music sits.

The hiss columns are empty for Audient ORIA and RME Fireface UFX III because neither maker publishes no output noise figure. That is a gap in the specification, not a quiet amplifier, and it is left blank here rather than filled with a plausible number.

The Audient ORIA costs $301 more than the RME Fireface UFX III. Out of the 567 models here, that difference buys 2 more models driven to 100 dB.

It does not run one way only: the cheaper RME Fireface UFX III leaves 472 models alone under the one-eighth rule that the Audient ORIA does not, which is the part worth checking against your own headphones before paying the difference.

Everything in this paragraph counts only figures the two makers published. An advantage on an axis one of them leaves blank cannot be counted, and is not counted — how often that happens is its own page.

Each has a page of its own with every power figure traced to what the maker published and a full headphone list: Audient ORIA and RME Fireface UFX III. Or put either against your own headphones in the source comparison tool.