Burson Soloist 3X GT vs McIntosh MHA200

Both are desktop amplifiers, $2799 against $3000. This page puts them side by side on the only three things a maker can be held to — power, output impedance and noise — and then asks the question that actually matters: which headphones do they treat differently?

The Burson Soloist 3X GT reaches 100 dB on 567 of the 567 models here, the McIntosh MHA200 on 566.

A figure marked not published is missing from the maker’s own material, which is not the same as being good or bad. Where one of these two publishes a number and the other does not, the comparison on that axis cannot be made at all — and saying so is more useful than guessing.

Both makers publish a power rating, which is less common than the table above makes it look: of the 280 sources here, 209 publish a figure at at least one load and only 2 publish one at all four. Burson Soloist 3X GT publishes at 32 Ω, at 150 Ω and at 300 Ω; McIntosh MHA200 at 32 Ω and at 600 Ω. Every other row is worked out from those — between two published loads, or beyond them holding voltage constant, which understates rather than flatters.

So the two columns are not equally firm row by row: at 150 Ω and at 300 Ω only the Burson Soloist 3X GT figure is the maker’s own and at 600 Ω only the McIntosh MHA200 figure is the maker’s own. On those rows the derived number is the one to doubt first.

What each of these labels means, and why a derived figure is still worth printing, is set out in how this data was built.

1 headphone reaches 100 dB on the Burson Soloist 3X GT but not on the McIntosh MHA200 — Symphonium Titan.

566 of the 567 models here reach 100 dB on both. That is a power count and nothing more; whether either source suits a given headphone also depends on the two lines above.

The counts above say how many models the two treat differently. This says by how much. The same 8 headphones appear on every page of this kind, ordered from the easiest to drive to the hardest, so a row can be read across pages as well as across columns. Headroom is at a 100 dB SPL peak.

The widest gap on the list is the Campfire Audio Andromeda 2020: Burson Soloist 3X GT has +28 dB of headroom there against +15 dB. 13 dB is about 20 times the power, which matters for peaks rather than for how loud the music sits.

The hiss columns are empty for Burson Soloist 3X GT and McIntosh MHA200 because neither maker publishes no output noise figure. That is a gap in the specification, not a quiet amplifier, and it is left blank here rather than filled with a plausible number.

The McIntosh MHA200 costs $201 more than the Burson Soloist 3X GT, and on these three axes the money buys nothing: among the 567 models here there is not one that the McIntosh MHA200 handles and the Burson Soloist 3X GT does not — not on power, not on the one-eighth rule, not on hiss. The traffic runs the other way: the cheaper Burson Soloist 3X GT drives one model to 100 dB that the McIntosh MHA200 does not.

Everything in this paragraph counts only figures the two makers published. An advantage on an axis one of them leaves blank cannot be counted, and is not counted — how often that happens is its own page.

Each has a page of its own with every power figure traced to what the maker published and a full headphone list: Burson Soloist 3X GT and McIntosh MHA200. Or put either against your own headphones in the source comparison tool.