Both are portable players, $369 against $350. This page puts them side by side on the only three things a maker can be held to — power, output impedance and noise — and then asks the question that actually matters: which headphones do they treat differently?
The Shanling H5 reaches 100 dB on 565 of the 567 models here, the Sony NW-A306 on 530.
| Specification | Shanling H5 | Sony NW-A306 |
|---|---|---|
| Power into 32Ω | 227 mW | 18 mW |
| Power into 150Ω | 48 mW | 3.7 mW |
| Power into 300Ω | 24 mW | 1.9 mW |
| Power into 600Ω | 12 mW | 0.90 mW |
| Output impedance | 4.7 Ω | 1.5 Ω unverified |
| Output noise | not published | 5 µV unverified |
| Price | $369 | $350 |
| Headphones it reaches 100 dB on out of 567 | 565 | 530 |
A figure marked not published is missing from the maker’s own material, which is not the same as being good or bad. Where one of these two publishes a number and the other does not, the comparison on that axis cannot be made at all — and saying so is more useful than guessing.
| Load | Shanling H5 | Sony NW-A306 |
|---|---|---|
| 32 Ω | Published | Derived |
| 150 Ω | Derived | Derived |
| 300 Ω | Derived | Derived |
| 600 Ω | Derived | Derived |
Only one of these two columns starts from a power rating. Shanling H5 publishes one at 32 Ω; Sony NW-A306 publishes none at any of these four loads, so its column is worked out from power it published at other loads. Both are arithmetic on a maker’s own figures rather than guesses, and the method used for the Sony NW-A306 understates rather than flatters — but at 32 Ω is the only load here at which its maker can be held to a figure.
What each of these labels means, and why a derived figure is still worth printing, is set out in how this data was built.
35 headphones reach 100 dB on the Shanling H5 but not on the Sony NW-A306 — AKG K612 Pro, Abyss AB-1266 Phi CC, Abyss AB-1266 Phi TC, 32 more.
530 of the 567 models here reach 100 dB on both. That is a power count and nothing more; whether either source suits a given headphone also depends on the two lines above.
The counts above say how many models the two treat differently. This says by how much. The same 8 headphones appear on every page of this kind, ordered from the easiest to drive to the hardest, so a row can be read across pages as well as across columns. Headroom is at a 100 dB SPL peak.
The widest gap on the list is the Audio-Technica ATH-R70X: Shanling H5 has +10 dB of headroom there against -1 dB. 11 dB is about 13 times the power, which matters for peaks rather than for how loud the music sits.
The hiss columns are empty for Shanling H5 and Sony NW-A306 because neither maker publishes no output noise figure. That is a gap in the specification, not a quiet amplifier, and it is left blank here rather than filled with a plausible number.
| Headphone | Impedance | Needs | Shanling H5 headroom | Sony NW-A306 headroom | Shanling H5 hiss | Sony NW-A306 hiss |
|---|---|---|---|---|---|---|
| Shure SE846 | 9 Ω | 0.04 mW | +32 dB damping | +27 dB | not published | not published |
| Campfire Audio Andromeda 2020 | 9 Ω | 4.0 mW | +12 dB damping | +7 dB | not published | not published |
| Audeze LCD-2 Classic | 70 Ω | 0.79 mW | +21 dB | +10 dB | not published | not published |
| Beyerdynamic DT 1990 Pro (250Ω) | 250 Ω | 0.63 mW | +17 dB | +6 dB | not published | not published |
| HiFiMAN HE400se | 25 Ω | 7.9 mW | +13 dB damping | +5 dB | not published | not published |
| Audio-Technica ATH-R70X | 470 Ω | 1.6 mW | +10 dB | -1 dB | not published | not published |
| Sennheiser HD 600 | 300 Ω | 6.6 mW | +6 dB | -5 dB | not published | not published |
| HiFiMAN Susvara | 60 Ω | 50 mW | +4 dB | -7 dB | not published | not published |
The Shanling H5 costs $19 more than the Sony NW-A306. Out of the 567 models here, that difference buys 35 more models driven to 100 dB.
Nothing runs the other way: there is no axis here on which the cheaper of the two does better.
Everything in this paragraph counts only figures the two makers published. An advantage on an axis one of them leaves blank cannot be counted, and is not counted — how often that happens is its own page.
Each has a page of its own with every power figure traced to what the maker published and a full headphone list: Shanling H5 and Sony NW-A306. Or put either against your own headphones in the source comparison tool.