Apollo vs Peacock: which needs more amplifier?

The Sendy Audio Apollo is 16Ω at 95.0 dB (no reference unit printed); the Sendy Audio Peacock is 50Ω at 103.0 dB (no reference unit printed). This page is only about what they ask of an amplifier — not how they sound, which no specification on either sheet can tell you.

The Apollo needs 8.0 dB more than the Peacock to reach the same loudness — 3.2 mW against 0.50 mW.

The numbers that decide it

SpecificationApolloPeacock
Impedance16 Ω50 Ω
Sensitivity95.0 dB103.0 dB
Sensitivity (voltage)113.0 dB/V116.0 dB/V
Power for 100 dB3.2 mW0.50 mW
Voltage for 100 dB0.22 V0.16 V
Current for 100 dB14.1 mA3.2 mA
Highest source impedance
that leaves them alone (one-eighth rule)
2.00 Ω6.25 Ω
Sources that reach 100 dB
out of 280
280280

One caution before reading the rows. Sendy Audio Apollo and Sendy Audio Peacock printed a decibel figure with no reference unit, so this page reads it as per milliwatt. If it is really per volt, each of them needs far more than the table says. Why the two readings differ by so much.

Where the two part company

Every source in the database that drives one of them drives the other. On power, the choice between these two changes nothing about what amplifier you need.

1 source is low enough in output impedance for the Peacock under the one-eighth rule but not for the Apollo (Shanling H5).

280 of the 280 sources here reach 100 dB on both. That count is about power only — the output-impedance and hiss lines above are separate questions, and a source can pass this one and fail those.

What each one needs from 80 to 105 dB

The gap between these two in decibels does not change with volume — it is a property of the two headphones. What changes is the size of the numbers, and it changes fast: every 10 dB costs ten times the power. The row that matters is the one nearest the level you listen at, and for most people that is nearer the top of this table than the bottom.

The Apollo is more demanding than 63% of the 567 non-electrostatic models in this database; the Peacock than 49%. Both figures use the same measure as the rest of the site: whichever runs out first against a 2 V, 100 mW dongle, voltage or power.

dB SPLApollo powerApollo voltagePeacock powerPeacock voltage
800.03 mW22 mV5.0 µW16 mV
850.10 mW40 mV0.02 mW28 mV
900.32 mW71 mV0.05 mW50 mV
951.0 mW0.13 V0.16 mW89 mV
1003.2 mW0.22 V0.50 mW0.16 V
10510 mW0.40 V1.6 mW0.28 V

105 dB is included because forum power figures are usually quoted there or higher. It is also a level that damages hearing in minutes — how many minutes is its own calculator.

The cheapest source that satisfies both

SourcePriceHeadroom, ApolloHeadroom, PeacockOutput impedanceNoise
JadeAudio JA11$206.8 dB15.8 dB0.5 Ω1.7 µV
FiiO KA11$2918.9 dB24.1 dB0.7 Ω1.7 µV
FiiO BTR11$3611.5 dB15.8 dB0.5 Ω8.0 µV

Of the 280 sources here, 280 reach 100 dB on both. That is the easy axis. 69 of them also publish an output impedance low enough for both under the one-eighth rule and a noise figure that stays below the audible-hiss threshold with both — the rest either fail one of those or never printed the number at all, and 208 of them are in the second group.

The cheapest of the 69 is the JadeAudio JA11, at $20. It leaves 6.8 dB of headroom on the Apollo and 15.8 dB on the Peacock, its output impedance is 0.5 Ω against a one-eighth limit of 2.00 Ω and 6.25 Ω, and its noise figure puts the hiss floor 22 dB and 19 dB below the 20 dB SPL this site treats as the point where a quiet room stops hiding it.

Cheapest that satisfies three published numbers is not the same as best, and none of it is about how either headphone sounds. To put either model against a source this page does not mention, or to change the target loudness, use the amplifier matcher.

What each sheet prints, and what it is worth

ModelAs printedToleranceStandard
Apollo20Hz - 40KHznot printednot printed
Peacock20Hz - 40KHznot printednot printed

Sendy Audio prints the same thing for both the Apollo and the Peacock: 20Hz - 40KHz.

Neither range has a tolerance printed beside it, and that is the whole of what this section can tell you. The two sheets print the same range, which is itself a hint about how much the number is worth. A ±dB figure is what turns a range into a specification, and of the 490 models whose maker prints a range, 58 print it.

None of this is a measurement. What each maker publishes, and what it is worth, is set out in the frequency response audit.

Both pages in full

Each model has a page of its own with the full source list, the hiss estimate and the provenance of every figure above: Sendy Audio Apollo and Sendy Audio Peacock. Each figure on this page is labelled on those pages with where it came from, including the ones Sendy Audio never published — what that maker publishes, counted.

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