The Geshelli Archel Pro is a desktop amplifier at $200. It delivers 1.8 W into 32Ω and 250 mW into 300Ω, which ranks it 55 of 280 for raw power among the sources in this database.
Measured at 100 dB SPL it has comfortable headroom on 564 of the 567 dynamic and planar headphones catalogued here, enough but not generous on 2 and only marginal on 1. Discontinued and its page removed; Geshelli's current line is the Archel 3S Pro, which has its own page here. The figures below were never traced to a Geshelli document.
Nothing in the table above could be traced to a document this manufacturer publishes. The figures come from the material this database was first built from — independent measurement and reviewer reports — and every one of them is labelled unverified for that reason. They are being re-sourced one model at a time, and this page will change when the maker publishes something or a document turns up.
Nothing here is derived: every figure in the table is either a number the maker published at that exact load or a number marked unverified. The method behind the labels is written up here.
| Load | Power | Status | How it was arrived at |
|---|---|---|---|
| 32 Ω | 1.8 W | Unverified | collected from manufacturer and reviewer material but not yet traced to a single published document |
| 150 Ω | 500 mW | Unverified | collected from manufacturer and reviewer material but not yet traced to a single published document |
| 300 Ω | 250 mW | Unverified | collected from manufacturer and reviewer material but not yet traced to a single published document |
| 600 Ω | 125 mW | Unverified | collected from manufacturer and reviewer material but not yet traced to a single published document |
Ordered from easiest to hardest to drive. Headroom is measured at 100 dB SPL, which is louder than almost anyone listens — a small negative number means the source still plays loud, just without reserve for peaks.
These figures come from each manufacturer's own sensitivity rating. A handful of planars — the HiFiMAN Susvara and the Abyss AB-1266 in particular — are widely reported to need far more than their published sensitivity implies, so treat a bare pass on those as optimistic rather than settled.
| Headphone | Impedance | Sensitivity | Needs | Headroom | Verdict |
|---|---|---|---|---|---|
| Shure SE846 | 9 Ω | 114.0 dB/mW | 0.04 mW | +41 dB | Comfortable audible hiss |
| 64 Audio U12t | 12.6 Ω | 108.0 dB/mW | 0.16 mW | +37 dB | Comfortable audible hiss |
| Shure SE215 | 17 Ω | 107.0 dB/mW | 0.20 mW | +37 dB | Comfortable faint hiss |
| Moondrop Aria | 32 Ω | 107.1 dB/mW | 0.19 mW | +40 dB | Comfortable faint hiss |
| Audeze LCD-X 2021 | 20 Ω | 103.0 dB/mW | 0.50 mW | +34 dB | Comfortable faint hiss |
| Truthear Hexa | 20.5 Ω | 103.1 dB/mW | 0.49 mW | +34 dB | Comfortable faint hiss |
| Sennheiser IE 200 | 18 Ω | 101.6 dB/mW | 0.69 mW | +32 dB | Comfortable faint hiss |
| Sony MDR-7506 | 63 Ω | 106.0 dB/mW | 0.25 mW | +36 dB | Comfortable faint hiss |
| Meze 99 Classics | 32 Ω | 103.0 dB/mW | 0.50 mW | +36 dB | Comfortable faint hiss |
| Focal Clear MG | 55 Ω | 104.0 dB/mW | 0.40 mW | +34 dB | Comfortable faint hiss |
| Philips SHP9500 | 32 Ω | 101.0 dB | 0.79 mW | +34 dB | Comfortable |
| Focal Utopia | 80 Ω | 104.0 dB/mW | 0.40 mW | +33 dB | Comfortable |
| Meze Empyrean | 32 Ω | 100.0 dB | 1.0 mW | +33 dB | Comfortable |
| Campfire Audio Andromeda 2020 | 9 Ω | 94.0 dB | 4.0 mW | +21 dB | Comfortable |
| Etymotic ER2SE | 15 Ω | 96.0 dB/mW | 2.5 mW | +25 dB | Comfortable |
| AKG K371 | 32 Ω | 99.1 dB/mW | 1.2 mW | +32 dB | Comfortable |
| Audio-Technica ATH-M50X | 38 Ω | 99.0 dB/mW | 1.3 mW | +31 dB | Comfortable |
| Beyerdynamic DT 900 Pro X | 48 Ω | 100.0 dB/mW | 1.0 mW | +31 dB | Comfortable |
| Audeze LCD-2 Classic | 70 Ω | 101.0 dB/mW | 0.79 mW | +31 dB | Comfortable |
| Grado SR80x | 38 Ω | 98.0 dB/mW | 1.6 mW | +30 dB | Comfortable |
| Sennheiser HD 560S | 120 Ω | 100.8 dB/mW | 0.83 mW | +28 dB | Comfortable |
| HiFiMAN Edition XS | 18 Ω | 92.0 dB | 6.3 mW | +22 dB | Comfortable |
| HiFiMAN Arya Stealth | 32 Ω | 94.0 dB | 4.0 mW | +27 dB | Comfortable |
| Dan Clark Audio AEON 2 Closed | 13 Ω | 90.0 dB/mW | 10 mW | +19 dB | Comfortable |
| Audeze LCD-5 | 14 Ω | 90.0 dB/mW | 10 mW | +19 dB | Comfortable |
| Beyerdynamic DT 1990 Pro (250Ω) | 250 Ω | 102.0 dB/mW | 0.63 mW | +27 dB | Comfortable |
| HiFiMAN HE400se | 25 Ω | 91.0 dB | 7.9 mW | +22 dB | Comfortable |
| HiFiMAN Sundara | 32 Ω | 92.0 dB | 6.3 mW | +25 dB | Comfortable |
| Dan Clark Audio Stealth | 23 Ω | 90.0 dB/mW | 10 mW | +21 dB | Comfortable |
| Fostex T50RP MK3 | 50 Ω | 92.0 dB/mW | 6.3 mW | +23 dB | Comfortable |
| AKG K702 | 62 Ω | 92.9 dB/mW | 5.1 mW | +23 dB | Comfortable |
| ZMF Verite Closed | 300 Ω | 99.0 dB/mW | 1.3 mW | +23 dB | Comfortable |
| Sennheiser HD 650 | 300 Ω | 97.8 dB/mW | 1.7 mW | +22 dB | Comfortable |
| Sennheiser HD 800S | 300 Ω | 96.8 dB/mW | 2.1 mW | +21 dB | Comfortable |
| Beyerdynamic DT 770 Pro (250Ω) | 250 Ω | 96.0 dB | 2.5 mW | +21 dB | Comfortable |
| Audio-Technica ATH-R70X | 470 Ω | 98.0 dB/mW | 1.6 mW | +20 dB | Comfortable |
| ZMF Atrium | 300 Ω | 96.0 dB/mW | 2.5 mW | +20 dB | Comfortable |
| Abyss AB-1266 Phi TC | 50 Ω | 88.0 dB/mW | 16 mW | +19 dB | Comfortable |
| Sennheiser HD 600 | 300 Ω | 91.8 dB/mW | 6.6 mW | +16 dB | Comfortable |
| HiFiMAN Susvara | 60 Ω | 83.0 dB | 50 mW | +13 dB | Comfortable |
At 1.5 µV of output noise, here is where that noise lands in the five most revealing in-ears in the database.
That noise figure has not been traced to a document from the maker, so the levels below are as good as the number they start from.
This one hisses. With the most sensitive in-ears in the database its own noise lands around 24 dB SPL, which you will hear between tracks and in quiet passages.
| In-ear | Impedance | Sensitivity | Hiss level |
|---|---|---|---|
| Simgot EA500 | 16 Ω | 141.0 dB/V | 24 dB SPL |
| Tanchjim EA FORCE | 17 Ω | 137.7 dB/V | 21 dB SPL |
| Shure SE846 | 9 Ω | 134.5 dB/V | 18 dB SPL |
| Campfire Audio Clara | 13.3 Ω | 134.1 dB/V | 18 dB SPL |
| 64 Audio Fourte | 10 Ω | 134.0 dB/V | 18 dB SPL |
At 0.1Ω output impedance this source satisfies the one-eighth rule with every headphone in the database, down to the 3Ω in-ears. Nothing here will have its frequency response shaped by the source.
That output impedance has not been traced to a document from the maker, so the count above is only as good as the number it starts from.
The rule is a rule of thumb, not physics: a source impedance below one eighth of the headphone's keeps the interaction under about 1 dB. The checker works it out for any pair.
| Source | Type | Price | Into 300 Ω | Output impedance | Output noise |
|---|---|---|---|---|---|
| Schiit Magni Heresy | desktop amplifier | $99 | 410 mW | 0.25 Ω | 1.5 µV unverified |
| Schiit Magni+ | desktop amplifier | $109 | 260 mW | 0.2 Ω unverified | 1.5 µV unverified |
| Schiit Magni Unity | desktop amplifier | $119 | 415 mW | 0.1 Ω | 1.59 µV |
Of the 280 sources here, 13 do everything the Geshelli Archel Pro does as a headphone output: reach 100 dB on every headphone it reaches. The cheapest of them is the Schiit Magni Heresy at $99, against this one’s $200 — $101 less.
The cheaper one also publishes an output impedance, which the Geshelli Archel Pro does not — so on the paperwork it is ahead, not merely level.
This counts a headphone output and nothing else. Inputs, converters, microphone preamps, balanced outputs, the volume control, the case and the warranty are all outside it, and any of them can be the reason to buy the dearer box. What the count does say is that the three numbers a maker can be held to do not separate them.
$200 · 1.0 W into 32Ω · 0.6 Ω out
Compare →$199 · 1.6 W into 32Ω · 0.5 Ω out
Compare →$219 · 4.8 W into 32Ω · 0.1 Ω out
Compare →$176 · 100 mW into 32Ω · output Ω not published
Compare →$229 · 2.8 W into 32Ω · 0.1 Ω out
Compare →$169 · 2.0 W into 32Ω · output Ω not published
Compare →Worked out in advance against its closest rivals: vs Little Dot MK II · vs PreSonus HP4. Each of those pages lists the headphones that tell the two apart.
Or put any two side by side in the source comparison tool, or run your own headphones through the amplifier matcher. Or see every Geshelli source in the database, and how much of what this site says about them came from Geshelli’s own documents.