The Matrix element M2 is a desktop DAC/amp at $2999. It delivers 1.2 W into 32Ω and 280 mW into 300Ω, which ranks it 75 of 280 for raw power among the sources in this database.
Measured at 100 dB SPL it has comfortable headroom on 561 of the 567 dynamic and planar headphones catalogued here, enough but not generous on 5 and only marginal on 1. Power is published at 33Ω, 300Ω, 600Ω; the rest of the table is derived from those figures. Output noise is not published, so the hiss estimate cannot be run.
The manufacturer publishes 1.2 W into 33Ω, 280 mW into 300Ω, 140 mW into 600Ω. Everything else in the table above is worked out from those figures, and this table says which is which.
The balanced output is rated separately: 1.7 W into 32Ω through the 4.4mm jack.
Derivation holds output voltage steady between and beyond the published loads rather than output power, because that is what an amplifier actually does. The full method is written up here.
Source: matrix-digi.com, matrix-digi.com.
| Load | Power | Status | How it was arrived at |
|---|---|---|---|
| 32 Ω | 1.2 W | Derived | beyond the published loads, holding output voltage constant — which understates rather than flatters |
| 33 Ω | 1.2 W | Published | the manufacturer publishes this figure at this exact load |
| 150 Ω | 380 mW | Derived | worked out between two published loads, holding output voltage linear between them |
| 300 Ω | 280 mW | Published | the manufacturer publishes this figure at this exact load |
| 600 Ω | 140 mW | Published | the manufacturer publishes this figure at this exact load |
Ordered from easiest to hardest to drive. Headroom is measured at 100 dB SPL, which is louder than almost anyone listens — a small negative number means the source still plays loud, just without reserve for peaks.
These figures come from each manufacturer's own sensitivity rating. A handful of planars — the HiFiMAN Susvara and the Abyss AB-1266 in particular — are widely reported to need far more than their published sensitivity implies, so treat a bare pass on those as optimistic rather than settled.
| Headphone | Impedance | Sensitivity | Needs | Headroom | Verdict |
|---|---|---|---|---|---|
| Shure SE846 | 9 Ω | 114.0 dB/mW | 0.04 mW | +39 dB | Comfortable damping |
| 64 Audio U12t | 12.6 Ω | 108.0 dB/mW | 0.16 mW | +35 dB | Comfortable damping |
| Shure SE215 | 17 Ω | 107.0 dB/mW | 0.20 mW | +35 dB | Comfortable damping |
| Moondrop Aria | 32 Ω | 107.1 dB/mW | 0.19 mW | +38 dB | Comfortable damping |
| Audeze LCD-X 2021 | 20 Ω | 103.0 dB/mW | 0.50 mW | +32 dB | Comfortable damping |
| Truthear Hexa | 20.5 Ω | 103.1 dB/mW | 0.49 mW | +32 dB | Comfortable damping |
| Sennheiser IE 200 | 18 Ω | 101.6 dB/mW | 0.69 mW | +30 dB | Comfortable damping |
| Sony MDR-7506 | 63 Ω | 106.0 dB/mW | 0.25 mW | +34 dB | Comfortable damping |
| Meze 99 Classics | 32 Ω | 103.0 dB/mW | 0.50 mW | +34 dB | Comfortable damping |
| Focal Clear MG | 55 Ω | 104.0 dB/mW | 0.40 mW | +33 dB | Comfortable damping |
| Philips SHP9500 | 32 Ω | 101.0 dB | 0.79 mW | +32 dB | Comfortable damping |
| Focal Utopia | 80 Ω | 104.0 dB/mW | 0.40 mW | +32 dB | Comfortable damping |
| Meze Empyrean | 32 Ω | 100.0 dB | 1.0 mW | +31 dB | Comfortable damping |
| Campfire Audio Andromeda 2020 | 9 Ω | 94.0 dB | 4.0 mW | +19 dB | Comfortable damping |
| Etymotic ER2SE | 15 Ω | 96.0 dB/mW | 2.5 mW | +23 dB | Comfortable damping |
| AKG K371 | 32 Ω | 99.1 dB/mW | 1.2 mW | +30 dB | Comfortable damping |
| Audio-Technica ATH-M50X | 38 Ω | 99.0 dB/mW | 1.3 mW | +29 dB | Comfortable damping |
| Beyerdynamic DT 900 Pro X | 48 Ω | 100.0 dB/mW | 1.0 mW | +29 dB | Comfortable damping |
| Audeze LCD-2 Classic | 70 Ω | 101.0 dB/mW | 0.79 mW | +29 dB | Comfortable damping |
| Grado SR80x | 38 Ω | 98.0 dB/mW | 1.6 mW | +28 dB | Comfortable damping |
| Sennheiser HD 560S | 120 Ω | 100.8 dB/mW | 0.83 mW | +27 dB | Comfortable |
| HiFiMAN Edition XS | 18 Ω | 92.0 dB | 6.3 mW | +20 dB | Comfortable damping |
| HiFiMAN Arya Stealth | 32 Ω | 94.0 dB | 4.0 mW | +25 dB | Comfortable damping |
| Dan Clark Audio AEON 2 Closed | 13 Ω | 90.0 dB/mW | 10 mW | +17 dB | Comfortable damping |
| Audeze LCD-5 | 14 Ω | 90.0 dB/mW | 10 mW | +17 dB | Comfortable damping |
| Beyerdynamic DT 1990 Pro (250Ω) | 250 Ω | 102.0 dB/mW | 0.63 mW | +27 dB | Comfortable |
| HiFiMAN HE400se | 25 Ω | 91.0 dB | 7.9 mW | +21 dB | Comfortable damping |
| HiFiMAN Sundara | 32 Ω | 92.0 dB | 6.3 mW | +23 dB | Comfortable damping |
| Dan Clark Audio Stealth | 23 Ω | 90.0 dB/mW | 10 mW | +19 dB | Comfortable damping |
| Fostex T50RP MK3 | 50 Ω | 92.0 dB/mW | 6.3 mW | +21 dB | Comfortable damping |
| AKG K702 | 62 Ω | 92.9 dB/mW | 5.1 mW | +21 dB | Comfortable damping |
| ZMF Verite Closed | 300 Ω | 99.0 dB/mW | 1.3 mW | +23 dB | Comfortable |
| Sennheiser HD 650 | 300 Ω | 97.8 dB/mW | 1.7 mW | +22 dB | Comfortable |
| Sennheiser HD 800S | 300 Ω | 96.8 dB/mW | 2.1 mW | +21 dB | Comfortable |
| Beyerdynamic DT 770 Pro (250Ω) | 250 Ω | 96.0 dB | 2.5 mW | +21 dB | Comfortable |
| Audio-Technica ATH-R70X | 470 Ω | 98.0 dB/mW | 1.6 mW | +21 dB | Comfortable |
| ZMF Atrium | 300 Ω | 96.0 dB/mW | 2.5 mW | +20 dB | Comfortable |
| Abyss AB-1266 Phi TC | 50 Ω | 88.0 dB/mW | 16 mW | +17 dB | Comfortable damping |
| Sennheiser HD 600 | 300 Ω | 91.8 dB/mW | 6.6 mW | +16 dB | Comfortable |
| HiFiMAN Susvara | 60 Ω | 83.0 dB | 50 mW | +12 dB | Comfortable damping |
The manufacturer does not publish an output noise figure for this source, so the hiss estimate that runs on every other page here cannot be run on this one. Rather than substitute a plausible number, this page leaves the question open.
If you know the noise figure from a measurement you trust, the hiss calculator takes it directly and tells you where that noise lands in your own in-ears.
At 11Ω output impedance, the one-eighth rule says this source suits headphones of 88.0Ω and above. 520 of the 567 models here fall below that. That is most of the database, not a niche — 222 of them multi-driver in-ears, and the mismatch tilts the frequency response audibly rather than subtly.
The rule is a rule of thumb, not physics: a source impedance below one eighth of the headphone's keeps the interaction under about 1 dB. The checker works it out for any pair.
| Source | Type | Price | Into 300 Ω | Output impedance | Output noise |
|---|---|---|---|---|---|
| Schiit Magni Heresy | desktop amplifier | $99 | 410 mW | 0.25 Ω | 1.5 µV unverified |
| Schiit Magni Unity | desktop amplifier | $119 | 415 mW | 0.1 Ω | 1.59 µV |
| JDS Labs Atom Amp 2 | desktop amplifier | $129 | 284 mW | 0.7 Ω | 1.33 µV |
Of the 280 sources here, 57 do everything the Matrix element M2 does as a headphone output: reach 100 dB on every headphone it reaches and stay inside the one-eighth rule wherever it does. The cheapest of them is the Schiit Magni Heresy at $99, against this one’s $2999 — $2900 less, and a desktop amplifier rather than a desktop DAC/amp.
This counts a headphone output and nothing else. Inputs, converters, microphone preamps, balanced outputs, the volume control, the case and the warranty are all outside it, and any of them can be the reason to buy the dearer box. What the count does say is that the three numbers a maker can be held to do not separate them.
$2499 · 1.5 W into 32Ω · output Ω not published
Compare →$2499 · 1.9 W into 32Ω · 0.1 Ω out
Compare →$3500 · 50 mW into 32Ω · output Ω not published
Compare →$2399 · 1.2 W into 32Ω · 0.11 Ω out
Compare →$3799 · 750 mW into 32Ω · output Ω not published
Compare →$2050 · 1.1 W into 32Ω · 0.3 Ω out
Compare →Worked out in advance against its closest rivals: vs Benchmark DAC3 HGC · vs Ferrum ERCO · vs Marantz SACD 30n · vs RME ADI-2/4 Pro SE. Each of those pages lists the headphones that tell the two apart.
Or put any two side by side in the source comparison tool, or run your own headphones through the amplifier matcher. Or see every Matrix source in the database, and how much of what this site says about them came from Matrix’s own documents.