The Apple USB-C dongle (US) is a USB dongle at $9. It delivers 30 mW into 32Ω and 4.0 mW into 300Ω, which ranks it 260 of 280 for raw power among the sources in this database.
Measured at 100 dB SPL it has comfortable headroom on 386 of the 567 dynamic and planar headphones catalogued here, enough but not generous on 130, only marginal on 31 and not enough power for 20. Apple publishes no electrical specification for this adapter — not power, not output impedance, not noise, not even an acknowledgement that two different versions exist. The figures here come from independent measurements, not from Apple, and are labelled unverified for that reason.
Nothing in the table above could be traced to a document this manufacturer publishes. The figures come from the material this database was first built from — independent measurement and reviewer reports — and every one of them is labelled unverified for that reason. They are being re-sourced one model at a time, and this page will change when the maker publishes something or a document turns up.
Nothing here is derived: every figure in the table is either a number the maker published at that exact load or a number marked unverified. The method behind the labels is written up here.
| Load | Power | Status | How it was arrived at |
|---|---|---|---|
| 32 Ω | 30 mW | Unverified | collected from manufacturer and reviewer material but not yet traced to a single published document |
| 150 Ω | 8.0 mW | Unverified | collected from manufacturer and reviewer material but not yet traced to a single published document |
| 300 Ω | 4.0 mW | Unverified | collected from manufacturer and reviewer material but not yet traced to a single published document |
| 600 Ω | 2.0 mW | Unverified | collected from manufacturer and reviewer material but not yet traced to a single published document |
Ordered from easiest to hardest to drive. Headroom is measured at 100 dB SPL, which is louder than almost anyone listens — a small negative number means the source still plays loud, just without reserve for peaks.
These figures come from each manufacturer's own sensitivity rating. A handful of planars — the HiFiMAN Susvara and the Abyss AB-1266 in particular — are widely reported to need far more than their published sensitivity implies, so treat a bare pass on those as optimistic rather than settled.
| Headphone | Impedance | Sensitivity | Needs | Headroom | Verdict |
|---|---|---|---|---|---|
| Shure SE846 | 9 Ω | 114.0 dB/mW | 0.04 mW | +23 dB | Comfortable audible hiss |
| 64 Audio U12t | 12.6 Ω | 108.0 dB/mW | 0.16 mW | +19 dB | Comfortable audible hiss |
| Shure SE215 | 17 Ω | 107.0 dB/mW | 0.20 mW | +19 dB | Comfortable audible hiss |
| Moondrop Aria | 32 Ω | 107.1 dB/mW | 0.19 mW | +22 dB | Comfortable audible hiss |
| Audeze LCD-X 2021 | 20 Ω | 103.0 dB/mW | 0.50 mW | +16 dB | Comfortable audible hiss |
| Truthear Hexa | 20.5 Ω | 103.1 dB/mW | 0.49 mW | +16 dB | Comfortable audible hiss |
| Sennheiser IE 200 | 18 Ω | 101.6 dB/mW | 0.69 mW | +14 dB | Comfortable audible hiss |
| Sony MDR-7506 | 63 Ω | 106.0 dB/mW | 0.25 mW | +18 dB | Comfortable audible hiss |
| Meze 99 Classics | 32 Ω | 103.0 dB/mW | 0.50 mW | +18 dB | Comfortable audible hiss |
| Focal Clear MG | 55 Ω | 104.0 dB/mW | 0.40 mW | +17 dB | Comfortable audible hiss |
| Philips SHP9500 | 32 Ω | 101.0 dB | 0.79 mW | +16 dB | Comfortable audible hiss |
| Focal Utopia | 80 Ω | 104.0 dB/mW | 0.40 mW | +15 dB | Comfortable audible hiss |
| Meze Empyrean | 32 Ω | 100.0 dB | 1.0 mW | +15 dB | Comfortable audible hiss |
| Campfire Audio Andromeda 2020 | 9 Ω | 94.0 dB | 4.0 mW | +3 dB | Enough audible hiss |
| Etymotic ER2SE | 15 Ω | 96.0 dB/mW | 2.5 mW | +7 dB | Enough faint hiss |
| AKG K371 | 32 Ω | 99.1 dB/mW | 1.2 mW | +14 dB | Comfortable faint hiss |
| Audio-Technica ATH-M50X | 38 Ω | 99.0 dB/mW | 1.3 mW | +13 dB | Comfortable faint hiss |
| Beyerdynamic DT 900 Pro X | 48 Ω | 100.0 dB/mW | 1.0 mW | +13 dB | Comfortable faint hiss |
| Audeze LCD-2 Classic | 70 Ω | 101.0 dB/mW | 0.79 mW | +13 dB | Comfortable faint hiss |
| Grado SR80x | 38 Ω | 98.0 dB/mW | 1.6 mW | +12 dB | Comfortable faint hiss |
| Sennheiser HD 560S | 120 Ω | 100.8 dB/mW | 0.83 mW | +11 dB | Comfortable faint hiss |
| HiFiMAN Edition XS | 18 Ω | 92.0 dB | 6.3 mW | +4 dB | Enough faint hiss |
| HiFiMAN Arya Stealth | 32 Ω | 94.0 dB | 4.0 mW | +9 dB | Enough faint hiss |
| Dan Clark Audio AEON 2 Closed | 13 Ω | 90.0 dB/mW | 10 mW | +1 dB | Marginal faint hiss |
| Audeze LCD-5 | 14 Ω | 90.0 dB/mW | 10 mW | +1 dB | Marginal faint hiss |
| Beyerdynamic DT 1990 Pro (250Ω) | 250 Ω | 102.0 dB/mW | 0.63 mW | +9 dB | Enough faint hiss |
| HiFiMAN HE400se | 25 Ω | 91.0 dB | 7.9 mW | +5 dB | Enough faint hiss |
| HiFiMAN Sundara | 32 Ω | 92.0 dB | 6.3 mW | +7 dB | Enough faint hiss |
| Dan Clark Audio Stealth | 23 Ω | 90.0 dB/mW | 10 mW | +3 dB | Enough faint hiss |
| Fostex T50RP MK3 | 50 Ω | 92.0 dB/mW | 6.3 mW | +5 dB | Enough faint hiss |
| AKG K702 | 62 Ω | 92.9 dB/mW | 5.1 mW | +5 dB | Enough faint hiss |
| ZMF Verite Closed | 300 Ω | 99.0 dB/mW | 1.3 mW | +5 dB | Enough |
| Sennheiser HD 650 | 300 Ω | 97.8 dB/mW | 1.7 mW | +4 dB | Enough |
| Sennheiser HD 800S | 300 Ω | 96.8 dB/mW | 2.1 mW | +3 dB | Marginal |
| Beyerdynamic DT 770 Pro (250Ω) | 250 Ω | 96.0 dB | 2.5 mW | +3 dB | Marginal |
| Audio-Technica ATH-R70X | 470 Ω | 98.0 dB/mW | 1.6 mW | +2 dB | Marginal |
| ZMF Atrium | 300 Ω | 96.0 dB/mW | 2.5 mW | +2 dB | Marginal |
| Abyss AB-1266 Phi TC | 50 Ω | 88.0 dB/mW | 16 mW | +1 dB | Marginal |
| Sennheiser HD 600 | 300 Ω | 91.8 dB/mW | 6.6 mW | -2 dB | Not enough |
| HiFiMAN Susvara | 60 Ω | 83.0 dB | 50 mW | -5 dB | Not enough |
At 6 µV of output noise, here is where that noise lands in the five most revealing in-ears in the database.
That noise figure has not been traced to a document from the maker, so the levels below are as good as the number they start from.
This one hisses. With the most sensitive in-ears in the database its own noise lands around 37 dB SPL, which you will hear between tracks and in quiet passages.
| In-ear | Impedance | Sensitivity | Hiss level |
|---|---|---|---|
| Simgot EA500 | 16 Ω | 141.0 dB/V | 37 dB SPL |
| Tanchjim EA FORCE | 17 Ω | 137.7 dB/V | 33 dB SPL |
| Shure SE846 | 9 Ω | 134.5 dB/V | 30 dB SPL |
| Campfire Audio Clara | 13.3 Ω | 134.1 dB/V | 30 dB SPL |
| 64 Audio Fourte | 10 Ω | 134.0 dB/V | 30 dB SPL |
At 1Ω output impedance, the one-eighth rule says this source suits headphones of 8.0Ω and above. 15 of the 567 models here fall below that. Most of them are multi-driver in-ears, and the mismatch tilts the frequency response audibly rather than subtly.
That output impedance has not been traced to a document from the maker, so the count above is only as good as the number it starts from.
The rule is a rule of thumb, not physics: a source impedance below one eighth of the headphone's keeps the interaction under about 1 dB. The checker works it out for any pair.
Nothing cheaper in this database does everything the Apple USB-C dongle (US) does. Of the 280 sources here, not one at a lower price will reach 100 dB on every headphone it reaches. That is a plain result and it is not the usual one — most of the catalogue has something cheaper that matches it.
It is worth knowing how that was counted. Apple publishes no output impedance and no noise figure for this one, and an axis nobody published is an axis nothing had to match. The result above rests on the figures that exist.
This counts a headphone output and nothing else. Inputs, converters, microphone preamps, balanced outputs, the volume control, the case and the warranty are all outside it, and any of them can be the reason to buy the dearer box. What the count does say is that the three numbers a maker can be held to do not separate them.
$9 · 15 mW into 32Ω · 1 Ω out
Compare →$12 · 60 mW into 32Ω · 1.5 Ω out
Compare →$20 · 30 mW into 32Ω · 0.5 Ω out
Compare →$22 · 34 mW into 32Ω · 0.5 Ω out
Compare →$22 · 34 mW into 32Ω · 1.0 Ω out
Compare →$24 · 30 mW into 32Ω · output Ω not published
Compare →Worked out in advance against its closest rivals: vs Apple USB-C dongle (EU) · vs Generic CX31993 dongles. Each of those pages lists the headphones that tell the two apart.
Or put any two side by side in the source comparison tool, or run your own headphones through the amplifier matcher. Or see every Apple source in the database, and how much of what this site says about them came from Apple’s own documents.