The FiiO K17 is a desktop DAC/amp at $990. It delivers 1.9 W into 32Ω and 240 mW into 300Ω, which ranks it 53 of 280 for raw power among the sources in this database.
Measured at 100 dB SPL it has comfortable headroom on 565 of the 567 dynamic and planar headphones catalogued here and enough but not generous on 2. Power is published at 16Ω, 32Ω, 300Ω; the rest of the table is derived from those figures.
The manufacturer publishes 1.8 W into 16Ω, 1.9 W into 32Ω, 240 mW into 300Ω. Everything else in the table above is worked out from those figures, and this table says which is which.
The balanced output is rated separately: 4.0 W into 32Ω through the 4.4mm / XLR4 jack.
Derivation holds output voltage steady between and beyond the published loads rather than output power, because that is what an amplifier actually does. The full method is written up here.
| Load | Power | Status | How it was arrived at |
|---|---|---|---|
| 16 Ω | 1.8 W | Published | the manufacturer publishes this figure at this exact load |
| 32 Ω | 1.9 W | Published | the manufacturer publishes this figure at this exact load |
| 150 Ω | 431 mW | Derived | worked out between two published loads, holding output voltage linear between them |
| 300 Ω | 240 mW | Published | the manufacturer publishes this figure at this exact load |
| 600 Ω | 120 mW | Derived | beyond the published loads, holding output voltage constant — which understates rather than flatters |
Ordered from easiest to hardest to drive. Headroom is measured at 100 dB SPL, which is louder than almost anyone listens — a small negative number means the source still plays loud, just without reserve for peaks.
These figures come from each manufacturer's own sensitivity rating. A handful of planars — the HiFiMAN Susvara and the Abyss AB-1266 in particular — are widely reported to need far more than their published sensitivity implies, so treat a bare pass on those as optimistic rather than settled.
| Headphone | Impedance | Sensitivity | Needs | Headroom | Verdict |
|---|---|---|---|---|---|
| Shure SE846 | 9 Ω | 114.0 dB/mW | 0.04 mW | +44 dB | Comfortable audible hiss |
| 64 Audio U12t | 12.6 Ω | 108.0 dB/mW | 0.16 mW | +40 dB | Comfortable audible hiss |
| Shure SE215 | 17 Ω | 107.0 dB/mW | 0.20 mW | +40 dB | Comfortable audible hiss |
| Moondrop Aria | 32 Ω | 107.1 dB/mW | 0.19 mW | +40 dB | Comfortable audible hiss |
| Audeze LCD-X 2021 | 20 Ω | 103.0 dB/mW | 0.50 mW | +35 dB | Comfortable audible hiss |
| Truthear Hexa | 20.5 Ω | 103.1 dB/mW | 0.49 mW | +36 dB | Comfortable audible hiss |
| Sennheiser IE 200 | 18 Ω | 101.6 dB/mW | 0.69 mW | +34 dB | Comfortable audible hiss |
| Sony MDR-7506 | 63 Ω | 106.0 dB/mW | 0.25 mW | +36 dB | Comfortable audible hiss |
| Meze 99 Classics | 32 Ω | 103.0 dB/mW | 0.50 mW | +36 dB | Comfortable audible hiss |
| Focal Clear MG | 55 Ω | 104.0 dB/mW | 0.40 mW | +34 dB | Comfortable audible hiss |
| Philips SHP9500 | 32 Ω | 101.0 dB | 0.79 mW | +34 dB | Comfortable faint hiss |
| Focal Utopia | 80 Ω | 104.0 dB/mW | 0.40 mW | +33 dB | Comfortable faint hiss |
| Meze Empyrean | 32 Ω | 100.0 dB | 1.0 mW | +33 dB | Comfortable faint hiss |
| Campfire Audio Andromeda 2020 | 9 Ω | 94.0 dB | 4.0 mW | +24 dB | Comfortable faint hiss |
| Etymotic ER2SE | 15 Ω | 96.0 dB/mW | 2.5 mW | +28 dB | Comfortable faint hiss |
| AKG K371 | 32 Ω | 99.1 dB/mW | 1.2 mW | +32 dB | Comfortable faint hiss |
| Audio-Technica ATH-M50X | 38 Ω | 99.0 dB/mW | 1.3 mW | +31 dB | Comfortable faint hiss |
| Beyerdynamic DT 900 Pro X | 48 Ω | 100.0 dB/mW | 1.0 mW | +31 dB | Comfortable faint hiss |
| Audeze LCD-2 Classic | 70 Ω | 101.0 dB/mW | 0.79 mW | +30 dB | Comfortable faint hiss |
| Grado SR80x | 38 Ω | 98.0 dB/mW | 1.6 mW | +30 dB | Comfortable faint hiss |
| Sennheiser HD 560S | 120 Ω | 100.8 dB/mW | 0.83 mW | +28 dB | Comfortable faint hiss |
| HiFiMAN Edition XS | 18 Ω | 92.0 dB | 6.3 mW | +24 dB | Comfortable faint hiss |
| HiFiMAN Arya Stealth | 32 Ω | 94.0 dB | 4.0 mW | +27 dB | Comfortable faint hiss |
| Dan Clark Audio AEON 2 Closed | 13 Ω | 90.0 dB/mW | 10 mW | +22 dB | Comfortable faint hiss |
| Audeze LCD-5 | 14 Ω | 90.0 dB/mW | 10 mW | +22 dB | Comfortable faint hiss |
| Beyerdynamic DT 1990 Pro (250Ω) | 250 Ω | 102.0 dB/mW | 0.63 mW | +26 dB | Comfortable faint hiss |
| HiFiMAN HE400se | 25 Ω | 91.0 dB | 7.9 mW | +24 dB | Comfortable faint hiss |
| HiFiMAN Sundara | 32 Ω | 92.0 dB | 6.3 mW | +25 dB | Comfortable faint hiss |
| Dan Clark Audio Stealth | 23 Ω | 90.0 dB/mW | 10 mW | +22 dB | Comfortable faint hiss |
| Fostex T50RP MK3 | 50 Ω | 92.0 dB/mW | 6.3 mW | +23 dB | Comfortable |
| AKG K702 | 62 Ω | 92.9 dB/mW | 5.1 mW | +23 dB | Comfortable |
| ZMF Verite Closed | 300 Ω | 99.0 dB/mW | 1.3 mW | +23 dB | Comfortable |
| Sennheiser HD 650 | 300 Ω | 97.8 dB/mW | 1.7 mW | +22 dB | Comfortable |
| Sennheiser HD 800S | 300 Ω | 96.8 dB/mW | 2.1 mW | +21 dB | Comfortable |
| Beyerdynamic DT 770 Pro (250Ω) | 250 Ω | 96.0 dB | 2.5 mW | +20 dB | Comfortable |
| Audio-Technica ATH-R70X | 470 Ω | 98.0 dB/mW | 1.6 mW | +20 dB | Comfortable |
| ZMF Atrium | 300 Ω | 96.0 dB/mW | 2.5 mW | +20 dB | Comfortable |
| Abyss AB-1266 Phi TC | 50 Ω | 88.0 dB/mW | 16 mW | +19 dB | Comfortable |
| Sennheiser HD 600 | 300 Ω | 91.8 dB/mW | 6.6 mW | +16 dB | Comfortable |
| HiFiMAN Susvara | 60 Ω | 83.0 dB | 50 mW | +13 dB | Comfortable |
At 5.0 µV of output noise, here is where that noise lands in the five most revealing in-ears in the database.
This one hisses. With the most sensitive in-ears in the database its own noise lands around 35 dB SPL, which you will hear between tracks and in quiet passages.
| In-ear | Impedance | Sensitivity | Hiss level |
|---|---|---|---|
| Simgot EA500 | 16 Ω | 141.0 dB/V | 35 dB SPL |
| Tanchjim EA FORCE | 17 Ω | 137.7 dB/V | 32 dB SPL |
| Shure SE846 | 9 Ω | 134.5 dB/V | 28 dB SPL |
| Campfire Audio Clara | 13.3 Ω | 134.1 dB/V | 28 dB SPL |
| 64 Audio Fourte | 10 Ω | 134.0 dB/V | 28 dB SPL |
At 1Ω output impedance, the one-eighth rule says this source suits headphones of 8.0Ω and above. 15 of the 567 models here fall below that. Most of them are multi-driver in-ears, and the mismatch tilts the frequency response audibly rather than subtly.
The rule is a rule of thumb, not physics: a source impedance below one eighth of the headphone's keeps the interaction under about 1 dB. The checker works it out for any pair.
| Source | Type | Price | Into 300 Ω | Output impedance | Output noise |
|---|---|---|---|---|---|
| Schiit Magni Unity | desktop amplifier | $119 | 415 mW | 0.1 Ω | 1.59 µV |
| JDS Labs Atom Amp 2 | desktop amplifier | $129 | 284 mW | 0.7 Ω | 1.33 µV |
| Schiit Vali 3 | desktop amplifier | $149 | 400 mW | 0.5 Ω | 2.83 µV |
Of the 280 sources here, 18 do everything the FiiO K17 does as a headphone output: reach 100 dB on every headphone it reaches, stay inside the one-eighth rule wherever it does and stay under the audible-hiss threshold wherever it does. The cheapest of them is the Schiit Magni Unity at $119, against this one’s $990 — $871 less, and a desktop amplifier rather than a desktop DAC/amp.
This counts a headphone output and nothing else. Inputs, converters, microphone preamps, balanced outputs, the volume control, the case and the warranty are all outside it, and any of them can be the reason to buy the dearer box. What the count does say is that the three numbers a maker can be held to do not separate them.
$799 · 2.0 W into 32Ω · 1.0 Ω out
Compare →$799 · 1.8 W into 32Ω · output Ω not published
Compare →$1430 · 2.3 W into 32Ω · 0.6 Ω out
Compare →$549 · 3.2 W into 32Ω · 1 Ω out
Compare →$520 · 3.0 W into 32Ω · <0.1 Ω out
Compare →$1499 · 1.2 W into 32Ω · 11 Ω out
Compare →Worked out in advance against its closest rivals: vs FiiO K11 · vs FiiO K11 R2R · vs FiiO K19 · vs FiiO K7 · vs FiiO K9 Pro · vs Matrix mini-i Pro 4. Each of those pages lists the headphones that tell the two apart.
Or put any two side by side in the source comparison tool, or run your own headphones through the amplifier matcher. Or see every FiiO source in the database, and how much of what this site says about them came from FiiO’s own documents.