The Singxer SA-1 is a desktop amplifier at $699. It delivers 5.5 W into 32Ω and 785 mW into 300Ω, which ranks it 9 of 280 for raw power among the sources in this database.
Measured at 100 dB SPL it has comfortable headroom on 567 of the 567 dynamic and planar headphones catalogued here. Fully discrete, with output impedance that changes with the gain setting — worth knowing before pairing it with in-ears.
The manufacturer publishes 10.0 W into 16Ω, 5.5 W into 32Ω, 3.1 W into 68Ω, 2.0 W into 120Ω, 380 mW into 600Ω. Everything else in the table above is worked out from those figures, and this table says which is which.
The published figures describe the balanced output. A single-ended jack on the same unit will put out less — usually about half the voltage and a quarter of the power.
Derivation holds output voltage steady between and beyond the published loads rather than output power, because that is what an amplifier actually does. The full method is written up here.
Source: singxer.com.
| Load | Power | Status | How it was arrived at |
|---|---|---|---|
| 16 Ω | 10.0 W | Published | the manufacturer publishes this figure at this exact load |
| 32 Ω | 5.5 W | Published | the manufacturer publishes this figure at this exact load |
| 68 Ω | 3.1 W | Published | the manufacturer publishes this figure at this exact load |
| 120 Ω | 2.0 W | Published | the manufacturer publishes this figure at this exact load |
| 150 Ω | 1.6 W | Derived | worked out between two published loads, holding output voltage linear between them |
| 300 Ω | 785 mW | Derived | worked out between two published loads, holding output voltage linear between them |
| 600 Ω | 380 mW | Published | the manufacturer publishes this figure at this exact load |
Ordered from easiest to hardest to drive. Headroom is measured at 100 dB SPL, which is louder than almost anyone listens — a small negative number means the source still plays loud, just without reserve for peaks.
These figures come from each manufacturer's own sensitivity rating. A handful of planars — the HiFiMAN Susvara and the Abyss AB-1266 in particular — are widely reported to need far more than their published sensitivity implies, so treat a bare pass on those as optimistic rather than settled.
| Headphone | Impedance | Sensitivity | Needs | Headroom | Verdict |
|---|---|---|---|---|---|
| Shure SE846 | 9 Ω | 114.0 dB/mW | 0.04 mW | +52 dB | Comfortable faint hiss, damping |
| 64 Audio U12t | 12.6 Ω | 108.0 dB/mW | 0.16 mW | +47 dB | Comfortable |
| Shure SE215 | 17 Ω | 107.0 dB/mW | 0.20 mW | +47 dB | Comfortable |
| Moondrop Aria | 32 Ω | 107.1 dB/mW | 0.19 mW | +45 dB | Comfortable |
| Audeze LCD-X 2021 | 20 Ω | 103.0 dB/mW | 0.50 mW | +42 dB | Comfortable |
| Truthear Hexa | 20.5 Ω | 103.1 dB/mW | 0.49 mW | +42 dB | Comfortable |
| Sennheiser IE 200 | 18 Ω | 101.6 dB/mW | 0.69 mW | +41 dB | Comfortable |
| Sony MDR-7506 | 63 Ω | 106.0 dB/mW | 0.25 mW | +41 dB | Comfortable |
| Meze 99 Classics | 32 Ω | 103.0 dB/mW | 0.50 mW | +40 dB | Comfortable |
| Focal Clear MG | 55 Ω | 104.0 dB/mW | 0.40 mW | +40 dB | Comfortable |
| Philips SHP9500 | 32 Ω | 101.0 dB | 0.79 mW | +38 dB | Comfortable |
| Focal Utopia | 80 Ω | 104.0 dB/mW | 0.40 mW | +38 dB | Comfortable |
| Meze Empyrean | 32 Ω | 100.0 dB | 1.0 mW | +37 dB | Comfortable |
| Campfire Audio Andromeda 2020 | 9 Ω | 94.0 dB | 4.0 mW | +32 dB | Comfortable damping |
| Etymotic ER2SE | 15 Ω | 96.0 dB/mW | 2.5 mW | +36 dB | Comfortable |
| AKG K371 | 32 Ω | 99.1 dB/mW | 1.2 mW | +37 dB | Comfortable |
| Audio-Technica ATH-M50X | 38 Ω | 99.0 dB/mW | 1.3 mW | +36 dB | Comfortable |
| Beyerdynamic DT 900 Pro X | 48 Ω | 100.0 dB/mW | 1.0 mW | +36 dB | Comfortable |
| Audeze LCD-2 Classic | 70 Ω | 101.0 dB/mW | 0.79 mW | +36 dB | Comfortable |
| Grado SR80x | 38 Ω | 98.0 dB/mW | 1.6 mW | +35 dB | Comfortable |
| Sennheiser HD 560S | 120 Ω | 100.8 dB/mW | 0.83 mW | +34 dB | Comfortable |
| HiFiMAN Edition XS | 18 Ω | 92.0 dB | 6.3 mW | +32 dB | Comfortable |
| HiFiMAN Arya Stealth | 32 Ω | 94.0 dB | 4.0 mW | +31 dB | Comfortable |
| Dan Clark Audio AEON 2 Closed | 13 Ω | 90.0 dB/mW | 10 mW | +29 dB | Comfortable |
| Audeze LCD-5 | 14 Ω | 90.0 dB/mW | 10 mW | +29 dB | Comfortable |
| Beyerdynamic DT 1990 Pro (250Ω) | 250 Ω | 102.0 dB/mW | 0.63 mW | +32 dB | Comfortable |
| HiFiMAN HE400se | 25 Ω | 91.0 dB | 7.9 mW | +29 dB | Comfortable |
| HiFiMAN Sundara | 32 Ω | 92.0 dB | 6.3 mW | +29 dB | Comfortable |
| Dan Clark Audio Stealth | 23 Ω | 90.0 dB/mW | 10 mW | +29 dB | Comfortable |
| Fostex T50RP MK3 | 50 Ω | 92.0 dB/mW | 6.3 mW | +28 dB | Comfortable |
| AKG K702 | 62 Ω | 92.9 dB/mW | 5.1 mW | +28 dB | Comfortable |
| ZMF Verite Closed | 300 Ω | 99.0 dB/mW | 1.3 mW | +28 dB | Comfortable |
| Sennheiser HD 650 | 300 Ω | 97.8 dB/mW | 1.7 mW | +27 dB | Comfortable |
| Sennheiser HD 800S | 300 Ω | 96.8 dB/mW | 2.1 mW | +26 dB | Comfortable |
| Beyerdynamic DT 770 Pro (250Ω) | 250 Ω | 96.0 dB | 2.5 mW | +26 dB | Comfortable |
| Audio-Technica ATH-R70X | 470 Ω | 98.0 dB/mW | 1.6 mW | +25 dB | Comfortable |
| ZMF Atrium | 300 Ω | 96.0 dB/mW | 2.5 mW | +25 dB | Comfortable |
| Abyss AB-1266 Phi TC | 50 Ω | 88.0 dB/mW | 16 mW | +24 dB | Comfortable |
| Sennheiser HD 600 | 300 Ω | 91.8 dB/mW | 6.6 mW | +21 dB | Comfortable |
| HiFiMAN Susvara | 60 Ω | 83.0 dB | 50 mW | +18 dB | Comfortable |
At 0.3 µV of output noise, here is where that noise lands in the five most revealing in-ears in the database.
This one hisses. With the most sensitive in-ears in the database its own noise lands around 11 dB SPL, which you will hear between tracks and in quiet passages.
| In-ear | Impedance | Sensitivity | Hiss level |
|---|---|---|---|
| Simgot EA500 | 16 Ω | 141.0 dB/V | 11 dB SPL |
| Tanchjim EA FORCE | 17 Ω | 137.7 dB/V | 7 dB SPL |
| Shure SE846 | 9 Ω | 134.5 dB/V | 4 dB SPL |
| Campfire Audio Clara | 13.3 Ω | 134.1 dB/V | 4 dB SPL |
| 64 Audio Fourte | 10 Ω | 134.0 dB/V | 4 dB SPL |
At 1.4Ω output impedance, the one-eighth rule says this source suits headphones of 11.2Ω and above. 51 of the 567 models here fall below that. Most of them are multi-driver in-ears, and the mismatch tilts the frequency response audibly rather than subtly.
The rule is a rule of thumb, not physics: a source impedance below one eighth of the headphone's keeps the interaction under about 1 dB. The checker works it out for any pair.
| Source | Type | Price | Into 300 Ω | Output impedance | Output noise |
|---|---|---|---|---|---|
| Topping L30 II | desktop amplifier | $149 | 560 mW | 0.1 Ω | 0.3 µV |
| Topping A30 Pro | desktop amplifier | $249 | 840 mW | 0.1 Ω | 0.3 µV |
| Topping A90 | desktop amplifier | $499 | 213 mW | 0.1 Ω | 0.2 µV |
Of the 280 sources here, 4 do everything the Singxer SA-1 does as a headphone output: reach 100 dB on every headphone it reaches, stay inside the one-eighth rule wherever it does and stay under the audible-hiss threshold wherever it does. The cheapest of them is the Topping L30 II at $149, against this one’s $699 — $550 less.
This counts a headphone output and nothing else. Inputs, converters, microphone preamps, balanced outputs, the volume control, the case and the warranty are all outside it, and any of them can be the reason to buy the dearer box. What the count does say is that the three numbers a maker can be held to do not separate them.
$699 · 262 mW into 32Ω · 0.08 Ω out
Compare →$699 · 5.5 W into 32Ω · <0.1 Ω out
Compare →$709 · 3.0 W into 32Ω · output Ω not published
Compare →$660 · 1.0 W into 32Ω · 0.08 Ω out
Compare →$629 · 1.4 W into 32Ω · 0.125 Ω out
Compare →$600 · 4.0 W into 32Ω · 0.5 Ω out
Compare →Worked out in advance against its closest rivals: vs Aune S17 Pro EVO · vs Grace Design m900 · vs Gustard H26 · vs Lake People G111 Mk II · vs Rupert Neve RNHP · vs Schiit Valhalla 3 · vs SMSL SH-X. Each of those pages lists the headphones that tell the two apart.
Or put any two side by side in the source comparison tool, or run your own headphones through the amplifier matcher. Or see every Singxer source in the database, and how much of what this site says about them came from Singxer’s own documents.