This page does not review anything Beyerdynamic makes. It counts one thing: how much of what this database says about their products came out of their own documents, and how much had to be worked out or left blank.
| Model | Impedance | Sensitivity | Source of the figure |
|---|---|---|---|
| Amiron Home | 250 Ω | 102.0 dB/mW | Published per mW |
| Custom One Pro Plus | 16 Ω | 96.0 dB | Not published |
| Custom Studio | 80 Ω | 96.0 dB | Unit not stated |
| DJ 300 PRO X | 48 Ω | 115.0 dB | Unit not stated |
| DT 1350 | 80 Ω | 109.0 dB | Unit not stated |
| DT 1770 PRO | 250 Ω | 102.0 dB/mW | Published per mW |
| DT 1770 PRO MKII | 30 Ω | 95.0 dB/mW | Published per mW |
| DT 1990 Pro (250Ω) | 250 Ω | 102.0 dB/mW | Published per mW |
| DT 1990 PRO MK II | 30 Ω | 94.0 dB/mW | Published per mW |
| DT 240 Pro | 34 Ω | 99.0 dB/mW | Published per mW |
| DT 270 PRO | 45 Ω | 96.0 dB | Unit not stated |
| DT 275 PRO | 45 Ω | 105.0 dB | Unit not stated |
| DT 700 Pro X | 48 Ω | 100.0 dB/mW | Published per mW |
| DT 770 Pro (250Ω) | 250 Ω | 96.0 dB | Unit not stated |
| DT 770 Pro (32Ω) | 32 Ω | 96.0 dB | Unit not stated |
| DT 770 Pro (80Ω) | 80 Ω | 96.0 dB | Unit not stated |
| DT 770 PRO Black Edition (80Ω) | 80 Ω | 96.0 dB | Unit not stated |
| DT 770 Pro X Limited | 48 Ω | 98.0 dB/mW | Published per mW |
| DT 880 Edition (250Ω) | 250 Ω | 96.0 dB | Unit not stated |
| DT 880 Edition (32Ω) | 32 Ω | 96.0 dB | Unit not stated |
| DT 880 Edition (600Ω) | 600 Ω | 96.0 dB | Unit not stated |
| DT 880 Pro (250Ω) | 250 Ω | 96.0 dB | Unit not stated |
| DT 900 Pro X | 48 Ω | 100.0 dB/mW | Published per mW |
| DT 990 Edition (250Ω) | 250 Ω | 96.0 dB | Unit not stated |
| DT 990 Edition (32Ω) | 32 Ω | 96.0 dB | Unit not stated |
| DT 990 Edition (600Ω) | 600 Ω | 96.0 dB | Unit not stated |
| DT 990 Pro (250Ω) | 250 Ω | 96.0 dB | Unit not stated |
| DT 990 Pro (80Ω) | 80 Ω | 96.0 dB | Unit not stated |
| MMX 300 (32Ω) | 32 Ω | 96.0 dB | Unit not stated |
| MMX 300 PRO | 48 Ω | 96.0 dB/mW | Published per mW |
| MMX 330 PRO | 48 Ω | 96.0 dB/mW | Published per mW |
| T1 2nd Gen (600Ω) | 600 Ω | 102.0 dB | Not published |
| T1 3rd Gen (32Ω) | 32 Ω | 100.0 dB/mW | Published per mW |
| T5 (3rd Generation) | 32 Ω | 100.0 dB/mW | Published per mW |
| T5p 2nd Gen | 32 Ω | 102.0 dB | Not published |
| TYGR 300 R | 32 Ω | 96.0 dB | Unit not stated |
Impedance is almost always printed. Sensitivity is the one that goes wrong, because a decibel figure means two very different things depending on whether it is per milliwatt or per volt — about five decibels apart at 300 Ω and eighteen at 16 Ω. The conversion is here.
| Model | As printed | Tolerance | Standard |
|---|---|---|---|
| Amiron Home | 5-40,000 Hz | not printed | not printed |
| DJ 300 PRO X | 5 - 35,000 Hz | not printed | not printed |
| DT 1770 PRO | 5-40,000Hz | not printed | not printed |
| DT 1770 PRO MKII | 5-40,000 Hz | not printed | not printed |
| DT 1990 Pro (250Ω) | 5-40,000 Hz | not printed | not printed |
| DT 1990 PRO MK II | 5-40,000 Hz | not printed | not printed |
| DT 240 Pro | 5 - 35.000 Hz | not printed | not printed |
| DT 270 PRO | 5 - 24,000 Hz | not printed | not printed |
| DT 275 PRO | 5 - 24,000 Hz | not printed | not printed |
| DT 700 Pro X | 5 - 40,000 Hz | not printed | not printed |
| DT 770 Pro (250Ω) | 5 - 35.000 Hz | not printed | not printed |
| DT 770 Pro (32Ω) | 5 - 35.000 Hz | not printed | not printed |
| DT 770 Pro (80Ω) | 5 - 35.000 Hz | not printed | not printed |
| DT 770 PRO Black Edition (80Ω) | 5 - 35.000 Hz | not printed | not printed |
| DT 770 Pro X Limited | 5 - 40,000 Hz | not printed | not printed |
| DT 880 Edition (250Ω) | 5 - 35.000 Hz | not printed | not printed |
| DT 880 Edition (32Ω) | 5 - 35.000 Hz | not printed | not printed |
| DT 880 Edition (600Ω) | 5 - 35.000 Hz | not printed | not printed |
| DT 880 Pro (250Ω) | 5 - 35.000 Hz | not printed | not printed |
| DT 900 Pro X | 5 - 40,000 Hz | not printed | not printed |
| DT 990 Edition (250Ω) | 5 - 35.000 Hz | not printed | not printed |
| DT 990 Edition (32Ω) | 5 - 35.000 Hz | not printed | not printed |
| DT 990 Edition (600Ω) | 5 - 35.000 Hz | not printed | not printed |
| DT 990 Pro (250Ω) | 5 - 35.000 Hz | not printed | not printed |
| DT 990 Pro (80Ω) | 5 - 35.000 Hz | not printed | not printed |
| MMX 300 (32Ω) | 5 - 35,000 Hz | not printed | not printed |
| MMX 300 PRO | 5 - 40,000 Hz | not printed | not printed |
| MMX 330 PRO | 5 - 40,000 Hz | not printed | not printed |
| T1 2nd Gen (600Ω) | 5 - 50,000 Hz | not printed | not printed |
| T1 3rd Gen (32Ω) | 5 - 50,000 Hz | not printed | not printed |
| T5 (3rd Generation) | 5 - 50,000 Hz | not printed | not printed |
| T5p 2nd Gen | 5 - 50,000 Hz | not printed | not printed |
| TYGR 300 R | 5 - 35,000 Hz | not printed | not printed |
Beyerdynamic prints a frequency range for all 33 models here whose sheets have been read.
Not one of those ranges comes with a tolerance in decibels. Without a ±dB figure a range says nothing about how loud the headphone is at either end of it, which puts Beyerdynamic with the majority: of the 490 models across this database whose maker prints a range, 58 print the tolerance.
Every range stands under the same heading: “Headphone frequency response”.
3 further models of theirs in this database have no page left on their site at all, so there is nothing to read for them either way. That is counted separately from printing nothing, because it is a different fact.
No measurement is published here — only what was printed. The whole count, maker by maker, is in the frequency response audit.
The hardest of the 36 to drive is the Beyerdynamic DT 880 Edition (600Ω): 2.5 mW and 1.23 V for a 100 dB SPL peak. Their impedances run from 16 to 600 Ω, which matters because the voltage a headphone wants rises with impedance while the power falls.
266 of the 280 sources here reach 100 dB on all 36, and the cheapest of them is the Generic CX31993 dongles at $12. “Reaches” means the maker’s own published power figure is enough at that load; it is not a judgement of how it sounds.
Their lowest impedance is the Beyerdynamic Custom One Pro Plus at 16 Ω, so a source wants an output impedance at or below 2.0 Ω to satisfy the one-eighth rule on everything they make. 134 of the 169 sources that publish an output impedance manage that.
These counts use figures the source makers published themselves. A product that publishes nothing is not counted as a pass anywhere above, which is why the three numbers differ so much. The collection matcher runs the same arithmetic over whatever you actually own.
Rather less than half of what this site says about Beyerdynamic came from them. The rest is arithmetic, and it is marked as arithmetic on every page.
The rule used here is the same for every maker and is described on the manufacturer index. Every figure behind it can be opened on the product page it came from, with the document it came from linked.